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Monday, March 5, 2012
Palestinians to give Israelis deadline on talks (AP)
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Sunday, March 4, 2012
The Number One Mistake People Make in Public Speaking
[unable to retrieve full-text content]breaking: Get Better Article Writing Skills Here Saturday March 3, 2012; breaking: Birla Institute Of Management Technology Saturday March 3, 2012; breaking: Kids Bedroom Furniture | Furniture for Kids Bedroom Saturday ...
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?Acts of Witness? Includes ?Blood Knot? and ?Poetic Portraits of a ...
In honor of 79-year-old Tony Award?-winning South African playwright and novelist and tireless anti-apartheid campaigner Athol Fugard?s upcoming March 19-23 visit to the University of North Carolina at Chapel Hill, StreetSigns Center for Literature and Performance and The Sacrificial Poets will present Act of Witness, which includes two plays ? Fugard?s early drama Blood Knot (1961) and Poetic Portraits of a Revolution, created in 2011 by Kane Smego, Will McInerney, Mohammad Moussa, and Sameer Abdel-khalek ? performed in rotating repertory March 2-11 and 19 and 20 at The ArtsCenter in Carrboro, NC.
According to the StreetSigns Center for Literature and Performance:
?Athol Fugard?s Blood Knot is the story of two South African brothers whose lives are twisted by the madness of apartheid. The New York Times calls the play ?a contemporary classic ? both a deeply human experience and a symbolic statement.? The powerful allegorical story continues to resonate deeply in a world still unable to deal openly with issues of race and wracked by seismic shifts in response to social injustice from the Arab Spring to Occupy Wall Street.
Triangle theater veterans Lucius Robinson (left) and J. Alphonse Nicholson star as brothers Morris and Zachariah in Athol Fugard's 1961 drama "Blood Knot," which premieres March 4th
?The [Blood Knot] cast features J. Alphonse Nicholson, highly praised for his recent performance in Mike Wiley?s The Parchman Hour at PlayMakers Repertory Company, and Lucius Robinson, whose work locally has ranged from his adaptation of Vertigo, in which he played the Jimmy Stewart role to memorable performances on area stages from Manbites Dog to Cary?s Koka Booth Amphitheatre, as the two brothers. Joseph Megel directs.
The Sacrificial Poets will perform "Poetic Portraits of a Revolution," starting March 2nd
?Poetic Portraits of a Revolution is a poetry-driven, multimedia documentary theater piece about the tranformative events in the Arab uprising. The project began when the Academy Award-winning organization the Empowerment Project sent nationally recognized spoken word poets Will McInerney and Kane Smego of The Sacrificial Poets, along with Mohammad Moussa and Sameer Abdel-khalek, to Egypt and Tunisia to collect documentary testimony in video, photographs, and poetry.
?Poetry and recordings from their journey have been featured in nationally-broadcast radio segments from American Public Media and National Public Radio. Their work was featured locally in the Process Series: New Works in Development, as they shaped a theater performance from their experiences, an event recognized by The Independent Weekly in Byron Woods? wrap-up of the best Triangle theater of 2011. This production marks the premiere of this important new work.
??These vibrant young artists have brought back crucial testimony and I wanted to put that in conversation with Athol Fugard?s soul-searing work of protest,? said Joseph Megel, director of the Process Series at UNC and co-artistic director of StreetSigns. ?The news that Athol Fugard would be coming to our community, thanks to UNC?s Creative Writing Department and their invaluable Morgan Writer-in-Residence program, was galvanic for me. I was working at the time with Poetic Portraits of a Revolution in the Process Series and the two pieces seemed to be talking to each other across a great divide. I wanted to explore that. And I needed to honor Athol Fugard in a way that demonstrated our deep appreciation for his extraordinary body of work, his artistry, and his activism.?
?Multimedia designer Jared Mezzocchi helps to design an envelope for both shows that will integrate the documentary video component into the spoken word poetry of Poetic Portraits of a Revolution and works with set designer Joncie Sarratt to create a set that can serve and contextualize both productions.
??We wanted to be sure that we could experience Fugard?s classic cry against South African apartheid as something allegorical that applies equally here and now to any situation in which racism and social injustice place an untenable torque on the individual,? said StreetSigns producer Elisabeth Lewis Corley. ?As with Blood Knot, so also the Arab Spring. Not there and then. But here and now. We have racial and religious intolerance and major social and economic inequities to address in our own communities and in the direction of our nation. Designer Jared Mezzocchi and director Joseph Megel share an aesthetic and a commitment to the power of good storytelling. They place all the considerable tools and skills at their disposal in service of that.? ?
?Special Events: Audience talkbacks will follow the performances of Blood Knot on March 5th and 19th and Poetic Portraits on March 6th. A reception in honor of Athol Fugard, who will be in attendance, will follow the final performance on March 20th.
?About StreetSigns: StreetSigns Center for Literature and Performance is an award-winning professional performing arts and educational center based in Chatham County, North Carolina. Founded in Chicago in 1992, StreetSigns has presented nearly 50 productions in its 20-year history. StreetSigns has worked in partnership with Northwestern University, the Department of Communication Studies at the University of North Carolina at Chapel Hill, and Georgetown University, always dedicated to the development and presentation of new literary adaptations, company-created theatrical works, innovative new plays and bold re-imaginings of classics. StreetSigns is committed to celebrating the region?s rich oral and written traditions and to engaging cultural and political issues through the performance of literature. Learn more at http://www.streetsignscenter.org/.
?About The ArtsCenter: International theater at its most local, ArtsCenter Stage showcases the work of emerging and established artists hailing from next door to around the world. Featuring new works and re-inventions of the classics, ArtsCenter Stage is community-oriented, professional theatre with a commitment to developing new artists and audiences. Learn more at http://www.artscenterlive.org/.?
Playwright and novelist Athol Fugard
According to UNC News Services:
?Award-winning South African playwright Athol Fugard will visit the University of North Carolina at Chapel Hill March 19-23 as the 2012 Morgan Writer-in-Residence.
?Fugard, who also is a director, filmmaker, actor, and novelist, will give a talk, ?Milestones of a Literary Journey,? at 7:30 p.m. March 21st in the Paul Green Theatre in the Center for Dramatic Art on Country Club Road.
?The talk and staged readings of Fugard?s plays are free, but reservations are requested. Call the PlayMakers box office at 919-926-PLAY (7529) or visit http://www.playmakersrep.org/fugard to register.
?Related events at UNC include:
?March 19th, 6 p.m. A screening of the Oscar?-winning [2005] film Tsotsi, adapted from Fugard?s novel. Varsity Theater on Franklin Street. FREE.
?March 20th, 7:30 p.m. Performance of Blood Knot, Carrboro ArtsCenter. Tickets: $10-20. 919-929-2787, http://www.artscenterlive.org/.
?March 21st, 2 p.m. ?The Theater Today? panel discussion, University Room, Hyde Hall. FREE.
?March 22nd, 5:30 p.m. Staged reading of Fugard?s My Children! My Africa! [1989]. Center for Dramatic Art. FREE, reservations requested.
?March 23rd, 5:30 p.m. Staged reading of Fugard?s The Train Driver (2010). FREE, reservations requested. Film and television actor Treat Williams, best known for his roles in Hair and D.B. Cooper, and his ?Everwood? co-star John Beasley will read.
?Through April 1st: Exhibition of contemporary South African art, Ackland Art Museum, http://www.ackland.org/.
?In his plays, which include Blood Knot (1961) Master Harold ? and the Boys (1982), and The Road to Mecca (1987), Fugard has depicted the lives of the disenfranchised, the overlooked and the voiceless. He has won the New York Drama Critics Circle Awards and a Tony Award? for Lifetime Achievement in Theatre.
?Through early March, Fugard is directing Blood Knot in New York City, and The Road to Mecca also is enjoying a successful run there.
?Fugard?s visit is sponsored by the Morgan Writer-in-Residence Program; the Departments of English and Comparative Literature, and Dramatic Art; and PlayMakers Repertory Company ? all in the College of Arts and Sciences. Carolina alumni Allen and Musette Morgan of Memphis, TN, established the Morgan Program in 1993 to bring writers of distinction to UNC.
?While visiting UNC, Fugard will attend classes, interact with students, and participate in a variety of public events. For a complete schedule, visit http://fugard.web.unc.edu/.
?WEBSITES: http://fugard.web.unc.edu/, http://www.playmakersrep.org/fugard, and http://englishcomplit.unc.edu/morgan.?
SECOND OPINION: March 1st Chapel Hill, NC Daily Tar Heel previews by Walker Minot: http://www.dailytarheel.com/index.php/article/2012/03/actofwitness_0302 and Katelyn Trela: http://www.dailytarheel.com/index.php/article/2012/03/morgan_writer_in_residence_program_loses_funding; and March 1st Durham, NC Herald-Sun preview by Cliff Bellamy: http://www.heraldsun.com/view/full_story/17706210/article-A-tale-of-two-brothers? (Note: You must register first to read this article).
StreetSigns Center for Literature and Performance with The Sacrificial Poets present ACT OF WITNESS, with performances of Poetic Portraits of a Revolution at 8 p.m. March 2, 3, 6, and 8, 10 p.m. March 10, and 8 p.m. March 11; and performances of Blood Knot at 7:30 p.m. March 4 and 5, 8 p.m. March 9, 7 p.m. March 10, 3 p.m. March 11, and 7:30 p.m. March 19 and 20 in the Earl and Rhoda Wynn Theater at The ArtsCenter, 300-G E. Main St., Carrboro, North Carolina 27510.
TICKETS: $10-$20.
BOX OFFICE: 919/929-2787 or http://www.etix.com/.
SHOWS:
Poetic Portraits of a Revolution: http://www.artscenterlive.org/story/poetic-portraits-revoluntion.
Blood Knot: http://www.artscenterlive.org/story/blood-knot-athol-fugard.
PRESENTERS:
StreetSigns Center for Literature and Performance: http://www.streetsignscenter.org/.
The Sacrificial Poets: http://sacrificialpoets.com/. VENUE: http://www.artscenterlive.org/.
DIRECTIONS/PARKING: http://www.artscenterlive.org/about-tac/visitor-info.
NOTE: There will be post performance talkbacks on Monday, March 5th, with WUNC producer Beverley Abel, musician Roger Lucey, writer and filmmaker Rhonda Klevansky, and UNC professor Eunice Sahle; on Tuesday, March 6th, with WUNC producer Beverley Abel, writer/documentarian Ali Neff, and Academy Award?-winning filmmaker Barbara Trent; and on Monday, March 19th, with WUNC producer Beverley Abel, Duke University professor Michael Valdez Moses, theater designer Kathy Anne Perkins, UNC professor Eunice Sahle, and African law and government scholar Bereket Selassie.
OTHER LINKS:
Poetic Portraits of a Revolution: http://www.ppr2011.org/ (official website).
Blood Knot: http://en.wikipedia.org/wiki/Blood_Knot (Wikipedia).
The Script: http://books.google.com/ (Google Books).
Athol Fugard: http://en.wikipedia.org/wiki/Athol_Fugard (Wikipedia).
EDITOR?S NOTE:
Robert W. McDowell is editor and publisher of Triangle Theater Review, a FREE weekly e-mail theatrical newsletter that provides more comprehensive, in-depth coverage of Raleigh, Durham, and Chapel Hill theater than all of the other news media combined. This preview is reprinted with permission from Triangle Theater Review.
To start your FREE subscription to this newsletter, e-mail RobertM748@aol.com and type SUBSCRIBE TTR in the Subject: line.
To read all of Robert W. McDowell?s Triangle Theater Review previews and reviews online at Triangle Arts & Entertainment, click http://triangleartsandentertainment.org/author/robert-w-mcdowell/.
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Why Community Is Essential to Business | Social Media Examiner
By Michael Stelzner
Published March 2, 2012
Liz shares why businesses need a community to exist today and what you need to know to successfully build one to develop your business.
Be sure to check out the takeaways below after you watch the video.
Here are some of the things you?ll learn in this video:
- Why a business needs to build a community to exist today
- How to get your community members to bring their friends
- Tips to embrace community and empower others
- Why it?s important to notice things?
- The difference between high-level execution and strategy
- How to position yourself for the right opportunities for your business
- How to find your value proposition
- Notice the decisions you make?and how they motivate people
- Who should come to SOBCon
Connect with Liz on Twitter @lizstrauss, check out Liz?s Successful Blog and find out more about SOBCon.
What do you think? How has community changed businesses today? What tips do you have to build a successful community? Please leave them below.
Source: http://www.socialmediaexaminer.com/why-community-is-essential-to-business/
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Saturday, March 3, 2012
94% Undefeated
North Memphis looks rough. Its houses are collapsing, its public infrastructure is crumbling, and its prospects on the horizon look like its bringing more of the same. Undefeated says life in North Memphis was not always like this, but once the Firestone plant closed and took the jobs away, this part of the city was forgotten. The residents feel they are not only second class citizens in Tennessee, which focuses more on Nashville in the center and Knoxville in the east, but second class in their own city. One bright spot is a brand new, state of the art high school; the new home of the Manassas Tigers. Entering Manassas High School, however, is more akin to going through airport security than going to a place to learn. During his first football meeting of the year with his team, Coach Bill Courtney mentions starting players getting shot, jail sentences, and academic suspensions, issues a coach may encounter throughout their entire career, but these are issues he has dealt with in the past two weeks. North Memphis is definitely not Dillon, Texas and Manassas High School resembles nothing of the Friday Night Lights Dillon Panthers; this is real life. Coach Courtney spends the vast majority of his time preaching character, discipline, and respect to a crowd of high school kids who do not seem very interested in receiving those messages. They are more concerned with fighting amongst themselves than focusing on beating the other team on the football field. Instead of studying plays in film sessions or running through football fundamentals, Coach constantly has to break up fights, convince the kids not to drop out of school, and remind them that a man's character is revealed on the football field. Incredibly, Coach is a volunteer. He does not get paid to spend grueling hours every day trying to teach football and life lessons to a bunch of kids who usually seem to be tuning him out. He sees something more in them though, much more than they see in themselves. He feels it in his bones that if these kids learn to focus on the team instead of themselves; they will not only win on the football field, but in the classroom, and later on in life. This sounds like a scripted TV show, but it is very real and Coach Courtney is dead serious about it. One player who visibly understands the Coach's vision is also the team's best player, left tackle O.C. Brown. O.C. reminds you of Michael Oher from The Blind Side. He is a huge human being but has a quiet, almost meek, personality. He is not strong academically though and is having trouble getting the minimum score for college scholarship eligibility on the ACT. In one of the stronger episodes of the film, O.C. gets a one-on-one tutor and stays three to four nights a week at a coach's house because no tutors would ever go see O.C. in his home neighborhood. The filmmaker wisely includes social commentary about why it is always the gifted athletic star that gets so much specific help and never just a regular kid. There are only two other members of the football team who get noticeable screen time and they are right tackle Montrail 'Money' Brown and team troublemaker Chavis Daniels. Money is under-sized for his position but plays with so much intensity that he is a very strong member of the offensive line. He has a 3.8 GPA and has his sights set on becoming a football manager or lawyer because he knows he is far too small for college ball. Chavis has just returned from school from a 15 month leave of absence because he was in juvenile detention. He has an incredibly short fuse and will instigate a fight in a moment's notice. The back and forth comparisons between Money and Chavis work to the film's credit. Money gets injured and wonders why he can barely get a second chance on the football field when he sees Chavis still causing trouble on the team even though he is on his 50th chance. Through the unending and amazingly persistent efforts of Coach Courtney, the Manassas Tigers start winning games and the kids' conduct both on and off the field are noticeably improved from the film's opening scenes. I do not know why it is called Undefeated because the Tigers lose their first game of the season before they start their run for the playoffs. There are some very strong scenes though, especially one with Money and some news he receives about his future and a scene between Coach and O.C. as they say goodbye to each other at the end of the season. Undefeated is a very effective sports documentary but I am surprised it won the Academy Award for Best Documentary. Its nomination was deserved but it is not consistently strong and felt throughout its entire length. However, I encourage you sports fans out there to go see a real football team instead of one created for you with a Hollywood cast; these kids are much more worth your time.
March 2, 2012Source: http://www.rottentomatoes.com/m/undefeated_2012/
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Friday, March 2, 2012
Disrupt Alum Vocre Makes Its Voice-Translation App Free
Vocre was one of the more popular battlefield companies at Disrupt SF 2011; the automagical quality of the app and their excellent on-stage presentation made them one of the frontrunners. They haven't been idle since then, though, and they've taken the advice of some critics who suggested their pay-per-use model was going to turn off users. They're releasing a new version of the app today with a few significant improvements, most notably that the app is now free.Source: http://feedproxy.google.com/~r/Techcrunch/~3/1_VI3P7RYBM/
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Celine Dion Axes More Vegas Shows Due To Swollen Vocal Cords
Celine Dion Axes More Vegas Shows Due To Swollen Vocal Cords
Celine Dion has been forced to cancel even more of her Las Vegas shows after falling ill with a virus. The singer previously postponed all [...]
Celine Dion Axes More Vegas Shows Due To Swollen Vocal Cords Stupid Celebrities Gossip Stupid Celebrities Gossip News
Source: http://feedproxy.google.com/~r/stupidcelebrities/~3/-mi22x12Sk4/
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