Saturday, December 17, 2011

Jeremy Renner Talks Mission: Impossible, The Avengers, and More

mission-impossible-ghost-protocol-jeremy-renner

In Mission: Impossible ? Ghost Protocol, actor Jeremy Renner plays Agent William Brandt, an analyst who is more desk jockey than field agent. When Impossible Missions Force (IMF) operative Ethan Hunt (Tom Cruise) is blamed for the terrorist bombing of the Kremlin, he is disavowed, along with the rest of the agency, when the President initiates ?Ghost Protocol.? Left with only a team of fellow IMF fugitives ? including Brandt, Benji Dunn (Simon Pegg) and Jane Carter (Paula Patton) ? whose personal motives are unclear, Hunt must find a way to clear the agency?s name and prevent another attack.

At the film?s press day, Jeremy Renner talked about playing a character whose motives may be questionable, how great it is to be a part of such a successful franchise, getting in shape for the physical demands of the role, and how Tom Cruise has helped him prepare for any future action work he?ll have to do. He also talked about currently filming The Bourne Legacy, his work in The Avengers, what attracted him to the James Gray film Low Life, and the process of developing a Steve McQueen biopic. Check out what he had to say after the jump.

mission-impossible-ghost-protocol-movie-poster-02Since your character is the new team member who thinks all of this IMF stuff is a bit crazy, is that a fun position to be in?

JEREMY RENNER: It was fun to play the character. It was a slightly different approach. It was a great, complex character to jump into. Nothing is as it seems, in a spy movie, and this certainly delivers that, I think. I?m attracted to those kinds of roles that could be good or could be bad, and you just don?t know. I guess I just have one of those resting faces that makes me look like I want to beat you up. I like those parts.

Is the fact that your character has a complicated past something that?s revealed about you later on, or is that something audiences will know up front?

RENNER: It?s revealed throughout the movie. It becomes a B or C plot, or whatever letter you want to put on it. It becomes a part of the character drama within the group, and that?s slowly revealed throughout ? the secrets that the characters hold, in general, and specifically Brandt.

Is it comforting to walk into a franchise that has an established lead? Does that give you an advantage, or are there challenges in distinguishing yourself?

RENNER: I think it?s great to be a part of a franchise that is successful. Any franchise is successful because it?s a continuation and people have seen it. That?s nice to be a part of, when your movie gets all around the world, because 80% of the movies I?ve done, nobody has seen. That?s pretty exciting. And, getting the opportunity to work with Tom [Cruise] was really exciting. I thought the part was complex enough to go do, and I had a lot of fun.

Given the fact that each of these films is independent of one another and you have a new director, with Brad Bird, did you have to take a crash course in what?s involved with these movies, or did you create this from the ground up?

RENNER: I was a fan of the franchise, to begin with, so I was very aware of everything. And then, I re-watched it all again, which was informative, knowing that I?m a part of it. But, they?re all very separate movies. Tom never wanted to do a franchise, or to do a sequel to any movie, and he hasn?t, except for Mission, which is his baby. He?s always had directors come on that have a very specific vision for it, that keep them separate, as stand-alone movies on their own. If you didn?t see the first two, the third still all makes sense. The only through-line is Tom?s character, for the most part. There have just been characters that have trickled in and out. With this one, having Brad [Bird] come in and have his slant with the gadgets and the attention to detail with character, which brings tension, and cutting tension with comedy ? and Simon Pegg is there for that, which is awesome ? he is all over this movie. If you?ve seen The Incredibles, or any of his movies, you definitely see that in this.

Since we haven?t gotten to see the full movie, what can you say about what happens with your character?

RENNER: That?s giving away the movie, darlin?. I?m not gonna tell you if I live or die, or if I?m good or bad. I might create more questions then answers for you, but that?s what the character is. It?s one of those fringe characters. You?re not sure what?s going to happen, and that was the attraction for me. I can tell you that Will Brandt is a chief analyst for the IMF. He?s the right-hand man to the secretary, which is always the voice, and now a face, finally, in this movie, played by Tom Wilkinson. He hands out the missions. He?s a buttoned-up desk jockey, who gets thrown into the mix of Ethan Hunt (Tom Cruise) and two other agents, Paula Patton and Simon Pegg?s characters. Instead of having a mission dished out, circumstances fall apart and we?re thrown together and have to be together. It doesn?t mean we like each other, but we have to unite and overcome certain obstacles. Within that spectacle of action and mission stuff, there are interesting characters. All four characters are very strong archetypes, and how they play off each other is Brad Bird?s strong suit. If you?ve ever seen The Incredibles, I think you?ll see a lot of that, within that structure.

Tom Cruise is known for his enthusiasm for doing his own stunts. Are you that way, as well?

RENNER: Yeah, I guess I?m enthusiastic about it. I?m attracted to challenges, and there?s a great physical challenge in doing stunts. Also, there?s no ticket you can buy for that ride. The opportunity we had to do the stunts and to do the things that we were able to do in this movie, people don?t get that opportunity. That?s exciting. If it serves the story and the character, then I?ll do it. I don?t want to do a stunt, just to do a stunt ?cause it?s that fun. It just becomes icing on the cake to help Brad Bird tell the story.

With the Burj Khalifa sequence, even though you don?t get to be the guy out on the building ?

RENNER: And, happily.

? what?s it like to be up there, in that room, looking out the window and just be involved in that sequence?

RENNER: It?s one of those things. If you get hit by a bus and you didn?t know it, that?s one thing. But, if you see the bus coming, and you get paralyzed and can?t move and just watch it come at you, it?s one of those things. Tom was out there, running around and doing his thing, all over the building, and we?re just standing there by the edge. That was more terrifying. Once I hung out, 30 seconds of near vomiting almost happened, but Tom was laughing. He was hanging upside down, all red-faced, and he was like, ?Look at this view!? I was like, ?What are you talking about? I?m going to vomit on you!? But, once that went away, he was right. It was beautiful. It was fantastic. Once all the fear went away, it became a really amazing experience. But, before that, the anticipation of it all was terrifying.

How much physical stuff do you get to have in this, and how much training did you have to do?

RENNER: Just stretching winded me, starting this movie, so I had a long curve to get ahead. After The Town, I didn?t do anything physical. I didn?t break a sweat for a year, until Mission. We had to make up for lost time and spent about five hours a day, learning certain disciplines, like Muay Thai and Filipino stick fighting, and all this random stuff that I never thought I?d learn, which was a blast. And then, there was stuff on a wire that you have to prepare your body for. There are certain trigger points in your body. I know much more about my body than I ever wanted to. But, it?s a very physical thing and you have to treat it like you?re a professional athlete.

Did Mission: Impossible help prepare you for The Bourne Legacy?

RENNER: Oh, yeah, all of them. Tom has prepared me for all of the last films I?ve done, especially Bourne, but also Hansel and Gretel and The Avengers, for the mental place to be. When you?re doing an action sequence, unlike in any professional sport in America, at least, if you get injured or you hurt your knee, or whatever, the second string comes in, but that doesn?t happen in movies. You can?t get injured, so I started getting on this really great program to prevent injuries. Tom introduced me to some really great physio-therapists, and that sort of thing, to prepare my body for that sort of torture.

Was getting involved in three different franchises part of the career plan?

RENNER: I don?t know whose plan. Not my plan. It just happened to come that way.

How do you deal with expectations when you have a comic book character that everyone knows, or a series that people know but with a new character that they invented for it?

RENNER: I don?t do well with expectation in my life. I certainly can?t think about it in other people?s lives. All I can do is do the best that I can do. I?m consciously aware, specifically with the comic book world, where there?s a built-in fanbase. But, there?s a little bit of leniency because there are a couple different universes. There are the Ultimates, and then there?s the old-school version. I wasn?t interested in wearing purple tights when I?m 50, so I loved that they went the Ultimates route. I also wanted to serve the story and the script, at hand, that Joss Whedon wrote, and not bring a bunch of baggage of where he came from. What mattered to me was page one to whatever the heck it ended up being, and serving that story.

How did your life change, after your nominations for The Town and The Hurt Locker?

RENNER: I?m not different, but a lot of things around me have shifted, and some in pretty great ways. Artistically, there?s a lot more opportunities, and bigger opportunities, meaning big directors that you know and you love their cinema, or the quality of scripts and the amount of scripts. That?s really shifted for me. People are just aware of who you are, all of a sudden, and it?s people that you think you know. For instance, there?s some big movie star ? and you can insert somebody famous ? and all of a sudden, they say your name. That?s strange, but really great.

jeremy-renner-imageIs it important to you, to continue to do more independent projects, as well?

RENNER: Yeah, absolutely. I?ll never completely abandon the stage even, where I started. I?m actually trying to do that next year. I?ll see if I can manifest the energy to go and do that. It takes a lot out of you to do a stage play, but I?d love to do that. I?d love to continue to do challenging material, whatever shape or form that comes in. I want to not know the answer. I want to not do anything I?ve done before. That can come in any form. Now, it?s action movies, at this point. But, where it?s at after that, I don?t know. As long as it has the certain requirements for me to want to get up every morning and be happy to go to work, then I don?t care the size of the movie. I just care about who I get to learn from.

Are you currently shooting The Bourne Legacy right now?

RENNER: I?m currently shooting The Bourne Legacy, yes.

What can you say about the film? Is there anything you can share about the project?

RENNER: I?d have to kill you. We?re in the middle of shooting it, so I can?t say a whole lot about it. But, what I can clarify ? that there?s been some confusion about, in regard to taking over for Matt [Damon] ? is that there?s no taking over for Matt. Matt Damon will always be Jason Bourne, to that franchise. But, the writer is consistent through them all. It?s the same writer (Tony Gilroy), and he?s also our director on this one. For the fanbase that likes that type of movie, with the continuity of that, the pace of it, the way it?s shot and everything about it, you?ll know it?s a Bourne movie. There?s just going to be different faces. It?s going to be Ed Norton and Rachel Weisz, who are two of the most talented actors out there. But, it will just be a different program and different spies, essentially. It has the same sort of pace to it.

Have you spoken to Matt Damon?

RENNER: Oh, yeah.

What advice did he give you?

RENNER: I don?t know. He?s such a cool, grounded guy. How do you give advice to somebody on something? If anything, he said, ?Just listen to the guys that know what they?re doing.? He?s worked with Dan Bradley, who did all the action on all the Bourne movies. He?s actually our second unit director on Mission. I was happy to know that he was a part of this Bourne movie. He?s the guy that, if you?re doing action, you?re working with Dan Bradley. He said, ?Just trust that guy.? I was like, ?Perfect! You don?t have to tell me. I?ve already worked with him. He?s awesome.? He said, ?Because he?s gonna ask you to do some really terrifying things. Just trust that it?s all right.?

jeremy_renner_03Where are you shooting?

RENNER: We were in New York, but we just finished. And then, we go to Calgary. And then, we go to the Phillippines.

How long will you be shooting?

RENNER: Until the end of February.

What?s going on with your music? Do you have any projects in the works?

RENNER: I love music. I do play. I have no time to even think about a project, but I certainly bring a piano or a guitar with me, just so I can play. It?s like mathematics, and it?s also emotional. It?s nice to play, for no other reason than just to play.

What attracted you to the James Gray film, Low Life?

RENNER: What a great opportunity. It?s an amazing story. It?s James Gray, Marion Cotillard and Joaquin Phoenix. That?s some of the best talent out there. It?s not an action movie, which at this point, from where I?m sitting, is a nice thing. I can actually take a break on my body and just focus on work and character. That?s refreshing. And, to work with that caliber of talent is really exciting. It?s a small role. It?s something I can shoot in a very short amount of time. There?s a pimp, a whore and a magician, and I get to play the magician, in a really cool, early 1900?s immigration movie about Ellis Island.

avengers-movie-image-jeremy-renner-01Do you have to be careful about the kinds of roles you take on, so that the roles aren?t similar and you aren?t typecast?

RENNER: I think that?s where real life and cinema blend for me. I like to play unpredictable characters, and I like to be unpredictable in what movie I?ll do. I want to skip to work. I don?t want to repeat anything. What the future holds, I don?t know, but that?s what I like. I?ll take any risk there is. I?m not concerned about what people think, or what they want. What matters to me is learning and growing, and getting to do what I love to do. As long as I can do that, I?m happy.

Was it fun to get to set up the Hawkeye character in Thor, before establishing the character in The Avengers?

RENNER: It?s actually difficult because there?s not a lot to do. In Thor, I had to just stand in a bucket and hold my bow and arrow. What?s the character? I have no idea. I was thrown into that very quickly, so it was like, ?Am I trapping myself?? It?s a little strange. I don?t know if it?s a good thing. I don?t think I?d go about it, normally, that way. It?s certainly a different way to go about taking on a role.

avengers-movie-poster-jeremy-renner-hawkeye-01Did it end up trapping you at all?

RENNER: No, it was so small and minuscule. It was just saying a few lines. I felt like it would be tough to screw up.

Would you like to do a Hawkeye movie, to explore the character even deeper?

RENNER: I don?t know. There are a lot of variables in that one. Would they want to make one? What would it be about? There are a lot of things. I suppose, if they all align, then it could be interesting ?cause I certainly like the character. But, I don?t know what the future holds.

Do you get the feel of an ensemble movie from The Avengers?

RENNER: Oh, yeah. It?s huge. Look at how many characters are in that thing. It was the ultimate challenge for Joss Whedon, who knows that universe so well. There was no one better to write it. He was so challenged, to write and direct that thing. I don?t know how you put that many characters in a movie like that. It?s immense. But, with that, you pass the baton. You get to work with very few of them ?cause everybody?s got their own thing going on. Someone?s in the air, flying around. I?m on the ground, shooting a bow and arrow. There are a lot of things happening. I have no idea what that movie looks like. I have zero idea. Most of the time, I have a good idea of how it?s going to turn out because I?ve seen so much of it, but I have no idea. I feel like I might be an extra in it. I?m not sure.

What?s it like to be one of The Avengers?

RENNER: It?s great. It?s an amazing cast, and I wish I got to do more with them. But, I had fun with the people I did get to work with.

the-avengers-banner-chris-evans-mark-ruffalo-robert-downey-jr-chris-hemsworthOther then him being the coolest human being who ever lived, what?s the appeal of launching a Steve McQueen biopic? Are you involved in developing that?

RENNER: Yeah, I?m involved in developing it. It?s happened because a script came around and they asked me if I wanted to look at it to potentially, maybe play him, and I thought, ?Oh, that?s interesting.? Obviously, I loved his movies. I wouldn?t say I was a massive fan of him, by any means. I?ve seen probably three of his movies. But then, as it came around, I started to study him more and realized, ?Wow, what a dichotomy of a human being.? He?s really, really interesting, outside of what most of us know him as. He?s the coolest human being who ever lived, but he?s also the most insecure guy who ever lived. He?s all these other things that undercut what we know him as. That was really interesting to me. I don?t care if that?s a fictitious character or a real person. That?s just interesting to me.

the-avengers-banner-samuel-l-jackson-tom-hiddleston-jeremy-renner-scarlett-johanssonI felt like the script was just a retelling of what everybody already knows about him. I didn?t know a lot about him, but it was retelling the things I knew about him. I thought, ?That?s really boring and doesn?t do him justice,? for what I ended up learning about him. So, that?s why we?re developing this thing, from these images that I saw. For instance, there?s a photo of him where a butcher in a shop is bandaging up his hand. The movie set is around the corner, and he was either just preparing to do a stunt or had just done a stunt, of the famous bike jump he did. Everybody knows about that stunt, so why talk about that? I want to know what that conversation was, between that butcher and McQueen, in that butcher shop. That?s more interesting to me. I think an inside look into his life, as a human being, could be fascinating. That?s what we?re exploring. James Gray is actually the one writing that.

So, it would be more of a personal look at him, rather then a careerist view?

RENNER: Yeah. You can?t avoid that, but I?d rather have that be the backdrop of his life. I?d like to see, ?What is it like to walk into a room and everybody stares at you ?cause they know exactly who you are?? Not a lot of people know what that feels like, so let?s let people into that world. I think that?s interesting. It will be that kind of take, hopefully.

Is that a daunting role to take on?

RENNER: I don?t know. I haven?t seen the script. I?m already imagining it to be almost impossible, but I?d love to take on the challenge. It would be an honor.

Source: http://www.rottentomatoes.com/m/1924148/news/1924148/

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Friday, December 16, 2011

`New Hollywood' producer Bert Schneider dies at 78 (AP)

LOS ANGELES ? "Five Easy Pieces" producer Bert Schneider, credited for inspiring a "New Hollywood" band of independent filmmakers, has died in Los Angeles at 78.

With producer-director Bob Rafelson, Schneider also created the Monkees pop band.

Daughter Audrey Simon tells the Los Angeles Times ( http://lat.ms/ugzokk) that Schneider died on Monday of natural causes at Olympia Medical Center.

Schneider produced 11 movies from 1969 to 1981, including "Easy Rider," "Five Easy Pieces" and "The Last Picture Show." Those movies about rootlessness and discontent became symbols of a new era that helped filmmakers break out of the studio system.

Schneider also produced the Oscar-winning 1974 anti-Vietnam War documentary "Hearts and Minds."

Source: http://us.rd.yahoo.com/dailynews/rss/entertainment/*http%3A//news.yahoo.com/s/ap/20111214/ap_en_ot/us_obit_bert_schneider

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Facebook rolls out new Timeline profiles

Facebook this week began rolling out its new Timeline interface, which transforms the traditional Facebook profile, with its standard issue info and news feed, into something more akin to a scrap book ? a "chronological, visual story of your life," in the formulation of one blogger.?

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"Timeline gives you an easy way to rediscover the things you shared, and collect your most important moments," Facebook's Paul McDonald wrote on the company blog today. "It also lets you share new experiences, like the music you listen to or the miles you run."?

Think of the new Timeline as a static presentation, as opposed to the update-centric look of the current profile. With the Timeline, you choose a "cover image," which dominates the profile; meanwhile, your "likes," as McDonald hinted, are pulled to the forefront of the display, along with your friend circles. It's a change of pace, to be sure. Early?reviews of the functionality have been mostly positive.?

"I must admit that I liked playing with Facebook Timeline a lot more than I liked filling in standard profile information, but it can also quickly feel overwhelming," Jill Duffy of PC Mag?writes?in a review today. "With your profile, you only fill in as much as you want. With Timeline, you face a huge swath of data that you've already created, and now you're tasked with making sure it's all appropriate and what you want the world to see."

So do you have a choice? Well, not exactly. Your profile will be timelined eventually, whether you like it or not. Facebook has, however, instituted a 7-day "review period," wherein you can sign onto the site, and choose how your timeline will appear, and what information gets displayed. After that "review period," Facebook will just timeline-ify everything anyway, so you might as well take advantage of the option.?

Right now, the Timeline is only for individuals. But as Facebook hinted today, a business- and brand-centric timeline functionality may be forthcoming. ?"We are currently focused on Timeline for individuals and will consider how to make consistent experiences for Pages," a Facebook rep told Mashable, "but we have nothing to announce at this time."?

For more tech news, follow us on?Twitter @venturenaut. And don?t forget to sign up for the weekly?BizTech newsletter.

Source: http://rss.csmonitor.com/~r/feeds/csm/~3/ukPaZKX1ppQ/Facebook-rolls-out-new-Timeline-profiles

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Key Equipment Finance Names Tim Duerr as Senior VP, Business ...

Key Equipment Finance Names Tim Duerr as Senior VP, Business Development for Vendor Alliances

Key Equipment Finance,?one of the nation?s largest bank-held equipment finance companies and an affiliate of KeyCorp (NYSE: KEY), has named Tim Duerr as senior vice president of business development for the manufacturer and vendor alliances team. In this role, Duerr will lead a team of business developers to establish large manufacturer and vendor program opportunities, as well as create and manage a robust pipeline of new vendor program opportunities with market leaders in information technology, healthcare, government finance and energy.

?Having previously worked closely with Tim, his business development acumen, cross functional leadership skills, deep insights into the challenges and opportunities faced by manufacturers and finance companies in the global competitive environment, and strategic approach to new products and market opportunities make him a terrific fit for the role and Key Equipment Finance,? said Brian Madison,?senior vice president of U.S. manufacturer & vendor alliances at Key Equipment Finance. ?I look forward to working with him as our team continues to develop strong adviser relationships with manufacturer and vendor customers.?

Prior to Key Equipment Finance, Duerr held a variety of positions at Microsoft, including five years at Microsoft Financing where he initially joined the team in the United Kingdom and led a successful European expansion. Upon establishing the European country and operational infrastructure, Duerr moved to Microsoft?s headquarters to lead the Worldwide Business Development team while also serving as the managing director for the Asia Pacific and Latin America regions. Prior to joining Microsoft Financing, Duerr was a managing partner for Whyte Dearing Associates, UK, and held a variety of business development and sales roles in the UK for Hambros Bank and Barclays Asset Finance.

About Key Equipment Finance

Key Equipment Finance?is one of the largest bank-based equipment finance providers in the U.S.?The company provides tailored equipment lease and finance solutions for small-to-large commercial clients and government entities. Through its vendor services unit, equipment finance programs are developed for manufacturers,?distributors and?resellers in the U.S., Canada and Europe. Key Equipment Finance specializes in the technology, healthcare, renewable energy and corporate aviation markets, as well as other capital assets.?Additionally, Key Equipment Finance provides lease capital markets support for corporations looking to optimize risk and revenue.

Headquartered outside Denver, Colorado, Key Equipment Finance manages nearly $9 billion in assets and originates over $3 billion of equipment financing annually. The company has management and operations bases in Albany, New York; London, England; Frankfurt, Germany; Madrid, Spain; Milan, Italy; Paris, France and Toronto, Canada. The company, which supports clients in over 30 countries, employs approximately 575 people worldwide and has been in the equipment financing business for over 35 years. Additional information regarding Key Equipment Finance, its products and services can be obtained online at?www.KEFonline.com.

About KeyCorp

Cleveland-based KeyCorp (NYSE: KEY) is one of the nation?s largest bank-based financial services companies, with assets of approximately $92 billion. Key companies provide investment management, retail and commercial banking, consumer finance, and investment banking products and services to individuals and companies throughout the United States and, for certain businesses, internationally. For more information, visit?www.key.com.

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Source: http://www.worldleasingnews.com/news/key-equipment-finance-names-tim-duerr-as-senior-vp-business-development-for-manufacturer-vendor-alliances/

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Sunday, December 4, 2011

South Africa debuts AIDS film on World AIDS Day

A man lays in bed at the Hillcrest Aids Center Trust care center situated at Hillcrest on the outskirts of the city of Durban, South Africa, Thursday, Dec. 1, 2011. A film opening on World AIDS Day Thursday that mixes live action and animation is taking viewers inside a soccer player's body, showing how he becomes infected with HIV and spreads the virus. The cast and characters are Kenyan, Nigerian and South African, which producers hope will help the movie travel across the continent hardest hit by the disease. (AP Photo/Schalk van Zuydam)

A man lays in bed at the Hillcrest Aids Center Trust care center situated at Hillcrest on the outskirts of the city of Durban, South Africa, Thursday, Dec. 1, 2011. A film opening on World AIDS Day Thursday that mixes live action and animation is taking viewers inside a soccer player's body, showing how he becomes infected with HIV and spreads the virus. The cast and characters are Kenyan, Nigerian and South African, which producers hope will help the movie travel across the continent hardest hit by the disease. (AP Photo/Schalk van Zuydam)

A man lays in bed at the Hillcrest Aids Center Trust care center situated at Hillcrest on the outskirts of the city of Durban, South Africa, Thursday, Dec. 1, 2011. A film opening on World AIDS Day Thursday that mixes live action and animation is taking viewers inside a soccer player's body, showing how he becomes infected with HIV and spreads the virus. The cast and characters are Kenyan, Nigerian and South African, which producers hope will help the movie travel across the continent hardest hit by the disease. (AP Photo/Schalk van Zuydam)

A mural in the shape of a tree is seen with the names of people who have died at the Hillcrest Aids Center Trust care center, situated at Hillcrest, on the outskirts of the city of Durban, South Africa, Thursday, Dec. 1, 2011. A film opening on World AIDS Day Thursday that mixes live action and animation is taking viewers inside a soccer player's body, showing how he becomes infected with HIV and spreads the virus. The cast and characters are Kenyan, Nigerian and South African, which producers hope will help the movie travel across the continent hardest hit by the disease. (AP Photo/Schalk van Zuydam)

A nurse, left, speaks with a patient at the Hillcrest Aids Center Trust care center situated at Hillcrest on the outskirts of the city of Durban, South Africa, Thursday, Dec 1, 2011. A film opening on World AIDS Day Thursday that mixes live action and animation is taking viewers inside a soccer player's body, showing how he becomes infected with HIV and spreads the virus. The cast and characters are Kenyan, Nigerian and South African, which producers hope will help the movie travel across the continent hardest hit by the disease. (AP Photo/Schalk van Zuydam)

A nurse supports a patient at the Hillcrest Aids Center Trust care center situated at Hillcrest on the outskirts of the city of Durban, South Africa, Thursday, Dec. 1, 2011. A film opening on World AIDS Day Thursday that mixes live action and animation is taking viewers inside a soccer player's body, showing how he becomes infected with HIV and spreads the virus. The cast and characters are Kenyan, Nigerian and South African, which producers hope will help the movie travel across the continent hardest hit by the disease. (AP Photo/Schalk van Zuydam)

(AP) ? A film opening on World AIDS Day Thursday that mixes live action and animation is taking viewers inside a soccer player's body, showing how he becomes infected with HIV and spreads the virus.

The cast and characters are Kenyan, Nigerian and South African ? which producers hope will help the movie travel across the continent hardest hit by the disease. The pull of soccer, which has a unique power to unite Africans, also should help.

Harriet Gavshon, a producer who worked on "Inside Story: The Science of HIV/AIDS," said the "toxic combination" of death and sex still makes it difficult for people to discuss AIDS.

"You have to constantly find new ways of trying to talk about it," she said.

The 90-minute film, aimed at viewers from their mid-teens and up, is a co-production of Johannesburg's Curious Pictures and an international development program sponsored by the U.S. reality and educational TV company Discovery.

Thursday's premiere at a Johannesburg multiplex will be followed by a U.S. debut in January in Washington and one in Nigeria later next year.

Aric Noboa, president of Discovery Channel Global Education Partnership, said they hope to broadcast the film and distribute DVDS, along with booklets to help guide community leaders in conducting post-film discussions.

Films, TV and radio shows, newspaper ads and billboards can get conversations started. But experts at loveLife, a group that has pioneered a range of programs to teach young South Africans about AIDS, say changing behavior requires keeping the dialogue going long enough for lifesaving messages to sink in.

It appears, though, that messages are getting across in South Africa, at least to young people targeted by projects like "Inside Story." Results released this week from a South African health ministry survey found that infections among 15- to 24-year-olds had dropped from 23.1 percent in 2001 to 21.8 percent in 2010.

But across all age groups, infections are creeping up, and this country of 50 million that has more people ? at least 5.5 million ? living with HIV than in any other country.

The focus on prevention may be becoming even more important. The cost of treatment is increasing as more people test and go on drugs, and efforts to find a cure or vaccine are advancing slowly and fitfully.

According to a U.N. report released on the eve of World AIDS Day, funding for HIV programs dropped from $15.9 billion in 2009 to $15 billion in 2010, well below the estimated $22 billion to $24 billion the U.N. says is needed in 2015 for a comprehensive global response. The report cited the global economic crisis and concerns about the sustainability of the AIDS response, given the increasing costs of treatment and prevention.

Last week, the Global Fund to Fight AIDS, Tuberculosis and Malaria declared it had run out of money to pay for new health programs in the next two years. The fund currently pays for AIDS drugs for about half of the world's HIV patients in developing countries.

It took five years and $2 million ? raised from the U.S. and South African governments, the U.N. AIDS agency and other donors ? to put together "Inside Story."

Since 1997, Discovery Channel Global Education Partnership has been getting educational TV to impoverished communities. Noboa said "Inside Story" grew out of requests from teachers in Africa and elsewhere for more information about AIDS.

The problem is confounded in South Africa by years of misinformation from a president, Thabo Mbeki, who questioned the link between HIV and AIDS, and a health minister, Manto Tshabalala-Msimang, who promoted a "treatment" of beets and garlic.

"I think the issues that were part and parcel of the Mbeki era are still there, they still linger on," said Dr. Dave Spencer, a program director at Right to Care, which provides treatment for thousands of HIV-positive South Africans.

A doctor can prescribe AIDS medication and see a patient grow stronger and healthier. Campaigners trying to change the behavior that leads to infection can never be sure their message is getting across.

"It's so hard to know where exactly we are in the fight," said the director of "Inside Story," Rolie Nikiwe. "It's a frustrating fight, but it's one that needs to be fought."

___

AP Medical Writer Maria Cheng contributed to this report from London.

____

Donna Bryson can be reached on http://twitter.com/dbrysonAP

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/4e67281c3f754d0696fbfdee0f3f1469/Article_2011-12-01-AF-South-Africa-AIDS-Movie/id-c8f681c6d96b47ce8c2ef23330cbee3b

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Saturday, December 3, 2011

U.S. hands main war base, Saddam palaces back to Iraq (Reuters)

BAGHDAD (Reuters) ? The U.S. military returned its biggest base in Iraq to the government on Friday, a huge compound near Baghdad airport that housed the American war operations centre and hosted a captive Saddam Hussein before his execution.

Victory Base Complex, a site ringed by 42 kilometers (27 miles) of blast walls and razor wire, was the U.S. command centre for the Iraq war almost from the moment American troops entered the capital and pulled down Saddam's statue in 2003.

The handover of Victory Base marks a major milestone in the U.S. withdrawal from Iraq as Washington consolidates its presence in Baghdad at its huge embassy on the Tigris River in the capital's heavily fortified Green Zone.

Only 12,000 troops remain, down from a peak of about 170,000 at the height of the war. Almost all of the remaining forces are due to leave Iraq by the end of this year, except for a small contingent of under 200 attached to the U.S. embassy.

"The Victory Base Complex was officially signed over to the receivership of the Iraqi government this morning," Colonel Barry Johnson, a U.S. military spokesman, said by email. "The base is no longer under U.S. control and is now under the full authority of the Government of Iraq."

American forces have been closing down operations for months at the Victory complex, which once housed around 42,000 U.S. military personnel and another 20,000 support staff.

The top U.S. war leaders from Ricardo Sanchez to David Petraeus to the current commander, General Lloyd Austin, lived at one of Saddam's villas on the base, a 20-room, 25,000-square-foot mansion where King Hussein of Jordan was said to have liked to fish off the back porch during Saddam's reign.

U.S. officials said Saddam built the network of palaces and villas and a complex of lakes on the grounds, including his Victory over America palace feting the 1991 Gulf War, in which U.S. forces drove Iraq out of Kuwait, and the Victory over Iran palace commemorating the 1980s campaign against his neighbor.

U.S. forces used as their war operations centre Saddam's al-Faw Palace, a 450,000-square-foot edifice of 62 rooms, including 29 bathrooms, designed with France's Versailles in mind and decorated with French provincial furniture.

U.S. officials said they would leave behind a massive, throne-like wooden chair given to Saddam by Palestinian leader Yasser Arafat.

Saddam Hussein was imprisoned at Victory Base for about two years in a maximum-security facility built in the bombed wreckage of a villa once used by security forces headed by his son Uday, U.S. officials said.

"Building 114," as U.S. troops knew it, was located on a small island in a lake, connected by a causeway and a drawbridge, and was shared by Saddam and his henchman, Ali Hassan al-Majeed, or Chemical Ali. Both were executed.

The base was a home-away-from-home for hundreds of thousands of U.S. troops who served in Iraq and was thoroughly Americanized over the course of eight years with everything from water and power plants to Burger King and Subway restaurants.

U.S. soldiers could be seen jogging around the lakes in off-duty hours or smacking golf balls into the water from the terraces of Saddam's palaces.

(Additional reporting by Patrick Markey)

Source: http://us.rd.yahoo.com/dailynews/rss/iraq/*http%3A//news.yahoo.com/s/nm/20111202/wl_nm/us_iraq_withdrawal_base

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Lawrence case science challenged

The evidence of a forensic scientist in the Stephen Lawrence trial has been challenged by a defence barrister.

Edward Jarman told the Old Bailey he had found a "microscopic" blood-stain from the teenager on a jacket removed from the home of defendant Gary Dobson.

But Tim Roberts QC, for Mr Dobson, said the science was unproven and urged caution over such a "tiny" stain.

Mr Dobson, 36, and David Norris, 35, deny murdering 18-year-old Mr Lawrence in Eltham, south-east London, in 1993.

The prosecution alleges they were part of a group of white youths that shouted a racist remark before forcing Mr Lawrence to the ground and stabbing him twice.

Mr Jarman told the court that a single blood-stain measuring half a millimetre, found on a jacket associated with Mr Dobson, was most likely to have come from Mr Lawrence.

He said: "It's very difficult to measure fragments of blood on such a tiny scale but we've suggested that the total volume could be possibly less than a couple of microlitres (cubic millimetres)."

Fresh blood?

Tim Roberts QC, for Mr Dobson, told the court that the bloodstain was so tiny, and the methods used to analyse it so unique, that any interpretation should be treated with caution.

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Forensic scientist Edward Jarman has now been questioned by 3 QCs over his #Stephenlawrence blood findings?

End Quote Philippa Thomas BBC News

Cross examining Mr Jarman, Mr Roberts asked him why there was no other blood-staining on the jacket if the mark on the collar had been caused by fresh blood.

He said: "If it's all landed at the same time in the same place in the same circumstances, why hasn't it all behaved in the same way and soaked into the weave?"

Mr Jarman replied: "It wouldn't necessarily all soak in, depending on the actual nature of the stain, of the blood and what it's made up of."

The defence claim that the stain was caused when a dried blood flake dissolved during saliva screening.

Mr Jarman accepted that around 40 blood fragments had got on to the front of Mr Dobson's jacket while it was being tested for saliva.

However, he told the court that he did not believe this process caused the stain on the collar.

"It appears to have soaked into the weave," he said.

'Leading-edge'

The court has heard that Mr Jarman's testing found the saliva screening process caused blood to become gel-like and did not produce a stain.

The scientist, who specialises in body fluids, devised his own experiments to determine the effect of the saliva tests.

Mr Roberts told him: "You were on a limb with this leading-edge evaluation."

Mr Jarman replied: "Yes, aspects of this are new, I suppose."

The defence claims forensic evidence, found in 2008 in a cold case review allegedly linking Mr Dobson and Mr Norris to the killing of the black teenager, resulted from contamination.

The prosecution says tiny amounts of blood, fibres, and hair found on clothes taken from their homes prove their guilt.

Testing for blood carried out on a cardigan seized from Mr Dobson's house, and jeans, a sweatshirt and another cardigan taken from Mr Norris's home were inconclusive.

The jury was shown photographs of a boy wearing a sweatshirt and jeans which the defence maintains are those seized from Mr Norris's house.

Mr Jarman said he was unable to say whether stains on the jeans were the same as those on the pair he examined forensically.

He told the court he had not considered the possibility that traces of DNA found on the trousers could have come from one of Mr Norris's brothers.

The trial was adjourned until Friday.

Source: http://www.bbc.co.uk/go/rss/int/news/-/news/uk-15986795

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